Goy's works inhale the balance, the quiet and moderate strength. In the style of a composer, she declines triads, if it is there, on the canvas where the drawing is the main part. It is the point of view of the biggest as Ingres to say: "the drawing includes three and a half quarters of what constitutes the painting".

Everything is precise, every line, every value has its place. As a reminder, every color has its value - of the light in the dark - in the chromatic range. Organized on the canvas, her sensitive geometry combines enthusiasm and inconstancy. The painter plays his score on the linen at the end of Holland, rarely touching the saturation of the pigment.

Her work draws its strength and its roots from the cubism of Braque, the expressionism of Egon Schiele and it is in an abstract evolution that it finds its maturity. Her paintings are a permanent invitations on second thought. It gets free of it, in a sophisticated, bare, rich and intense atmosphere. Goy is a painter and a poet for whom painting is a lifestyle: " I paint because I cannot live without it and I ignore how I work. The inspiration, this commonplace, is for me the difficult, patient and firm hours looking in the unknown ". Her work investigate regions, feelings where never word went before. Her paintings are warm and sensual, halfway between the abstraction and the representational artist.  

After secondary education in Africa from where she preserved essences, perfumes and atmospheres. She studies English in Oxford, London, Fine Art in Woodstock, New York, psychology and classic architecture. When she returns in France, Goy finds Marie Kate Dalh as a Master, who was herself raised by Fernand Leger.

Her work knows today an increasing success which exceeds the borders of our France. Her work was presented in an exhibition in Saint Paul de Vence's museum, in the Museum of Liguria (Italy) and to the National Museum of Women in Arts, in Washington DC, US. She is actually presented in a permanent way at the Vladimir Rustinoff Gallery in Saint Paul de Vence.